San Marco, Piazetta

This was about the only view I could get that eliminated football field sized acreages of advertising and scaffolding due to renovation work at the moment. Even then Jaws and Swatch manage to get a bit part.

This was about the only view I could get that eliminated football field sized acreages of advertising and scaffolding due to renovation work at the moment. Even then Jaws and Swatch manage to get a bit part.
Piazzeta, misty morning


Despite it's presence being impossible to miss as you cross the bridge from the Frari on route to San Polo and the Rialto, this small cafe is wonderfully cosy, friendly, unspoilt and slightly unusual. One of my favourites.

I've made it even worse in this photo of the Campo dei Frari, where just part of the facade is reduced to a bare brick wall like some old warehouse. The large white sign is a familar sight in Venice as you walk around, indicating the boundaries of the various Sestieri (districts) and Parrochie (parishes). If you follow those people round the corner you get to the public entrance in what I suppose is the chancel.

Inside things are very different. You can find some idea of what is inside in the Wikepdia article, but if you go to Venice a personal visit is best.

There are several iconic views which immediately identify Venice. The Rialto Bridge, the Campanile, Basilica and Doges Palace, S. Maria della Salute from the Piazzeta or Accademia Bridge. I like this one, Palladio's masterpiece floating on the lagoon. However I've come to realise that it's not a Venice icon alone. There are many similar views of island basilica. I particularly remember a lot of scenes like this from holidays on the Dalmatian coast - not far from here actually.

Everything has to go like this in Venice, quite an effort when you consider all the bridges.

The Piazza doesn't wake up until well into the morning, so you can often snatch a lone figure.

For me the vaporetti are the clockwork that keeps Venice going. If you take the routes that circle the city and ferry commuters morning and evening to and from the railway and bus stations it gives you a good insight into daily life.
Get off at one of the stops like Fondamente Nove or on the Giudecca and make your way into the heart of the town from there
Some blogger friends - I'm sure you can guess who...


Although this is a couple of days after the "acqua alta" of 1st December, he clearly isn't taking any chances....

(Photo courtesy of Peter)
I have been in Venice during November December for the last 4 years and although there had been regular flooding when some portions of the city were under water it has always been manageable (for a tourist) because you know the times and you know the worst affected areas. This was different. The entire city was under water. Many people will have seen the images on television, but they only tell a partial story, and I found some of the news reporting comically inaccurate. A lot of the media didn't seem to realise that this was a high tide, and not for example river flooding as experienced in other parts of the world. The Guardian especially disappointed me by attributing it to "recent heavy rain" - I'm not an expert but I don't think heavy rain ever contributed much to a rise in sea level. And in fact there was no real heavy rain anyway.
The real culprit was a combination of strong winds with the morning high tide. The previous day this had been estimated at 1.15m which is quite high and will result in flooding in certain areas, but a lot of businesses know that they have the defenses to cope with this and can be prepared. No-one could really be prepared for this one. The customary flood barriers on doorways were overrun and wellington boots were useless unless they were thigh length fisherman's waders. The flooding itself was "only" at it's worst for 3 hours. In the evening I was able to meet my son and his girlfriend from the airport and we enjoyed a meal in a restaurant "as if nothing had happened".
That this was possible is a tribute to the Venetians, most of whom had to make a massive effort to clean out the premises and shift material out of reach of the floods if possible. For many it will have cost a lot of money and destroyed a lot of goods and possessions. I was told that insurance and the government will not help. Nonetheless we were met with friendliness and a certain amount of philosophical resignation in the days that followed. Hats off to the Venetians I say.
You might wonder why I have no photos of my own. Unwisely I had left the apartment that morning only with the view camera, and I wasn't too excited about setting it up in 3 feet of water.

Hence the injunction you often see about not lingering on them, and the joke in the title of this post. However it's a bit of a waste of breath, especially given that the tourists get the best photos from the bridges and the locals seem to like to pass the time of day (or night) there anyway
I posted a comment over on RuTDP about how photography is not just about pretty pictures in my opinion. However, just to prove that I don't practice what I preach, here is a photo that has nothing much to say, but is quite pleasing in a kind of longitudinal way
Like the bottle blondes of Bahnhofstrasse this photo isn't 100% natural. Nor is it 100% Zurich as I'm sure you can guess
Exorcising my infatuation with Paris
Change of mood, although it seems a bit grim for a declaration of love..
Falling back on some Venice archive photos today. Before James Bond destroyed everything, the local boats perform a delicate ballet in the early morning on the Grand Canal
I was prepared to be disappointed by Peggy Guggenheims legacy, but the venue and exhibition has some grace befitting it's location. The Max Ernst's don't work in monochrome, so here is a domestic glimpse of the Palazzo
Leica M3 24mm Summicron Tri-x
I've posted the last seven days in a frenzied batch to catch up with my daily schedule (almost) so this is the last of the Venice images for now. Scroll down to see the last few days which were all uploaded this morning.
This is one of the first images I took, and I'm finishing off in colour because I like the painterly quality of this. No post processing, just nice Venetian light and colours.
Thanks to everyone who has followed this series - if you are interested I'll be launching a gallery of Venice images sometime in the future. Leave a comment here if you want to be notified.
Again, many thanks to visitvenice.co.uk for the great apartment - highly recommended.
Another Palladian landmark, Il Redentore on the Giudecca. Wanna see it in colour? You'll have to wait, I'm afraid. This view could also be conveniently framed by the domes of S. Maria della Salute on the right, but it's covered in scaffolding at the moment, so I framed it with the cranes instead
Technical chatter - this was taken with my old 90mm Elmarit. This lens has experienced a reincarnation for me. I never had much luck using it with the Leica film cameras (flare etc) but it seems to work very nicely with the digital M8. Why? I've no idea.
Palladio's masterpiece, floating serenely on the lagoon, is my personal icon of Venice. It is nicely situated for various photos, including the sunrise at this time of the year, although I have to admit this was about 10am
Another night shot of the street I'm staying in, the apartment is on the left bank. This was shot with the Leica M8, and 24mm Elmarit, handheld at 3 seconds. (Only kidding, I leant it on a bridge parapet). I like the way the highlights of the lamps came out - serendipitious, or was it the lens....
A snap outdoor portrait, it felt very much like the one I took in Zurich Hauptbahnhof a while back
Although like most people my photos are hypnotised by gondolas and the like, the waterways of Venice are bustling with working craft of all sorts shapes and sizes. Everything gets done by water - post, refuse, fire brigade. This is out in the open waters of the lagoon, to add more of a splash. The skyline of San Marco is a mere backdrop to daily life
My laptop crashed during my final week in Venice, so I'm retro-publishing over the next few days. It doesn't really make sense, but there you go. I took several quick shots of this scene - here's a couple. I thought there would be a photo somewhere, but I dont think I quite got it. A near miss.
The gondoliers amiably tout for business all the year round. I'm surprised they don't get a bit tetchy in the quiet, cold, damp November days, but everyone in Venice is remarkably laid back. My suspicion is that the need to walk everywhere, the lack of automobile induced stress, and the resignation that nothing is going to happen very quickly has something to do with it
The southern stretch of Canareggio is bounded by the Grand Canal, and the tourist thouroughfare that marks the route from the railway station to the Rialto. Here it is after the crowds have gone home. This image has been subject to some violent exposure post processing, and makes a contrasting treatment with the previous "Noir" photo, taken in the same area at around the same time.